Daniel Hope
Daniel Hope recently succeeded pianist Wu Han as Artistic Advisor for Chamber Music at The Barns at Wolf Trap, Virginia. Presented in partnership with New York’s Chamber Music Society of Lincoln Center, the season-long series brings world-class soloists and ensembles to the rustic venue, to which Hope returns this season for “The Gilded Age,” a…
In Europe, the new season marks Daniel Hope’s tenth with the Zurich Chamber Orchestra (ZCO). Hope is the soloist in Vaughan Williams’s beloved Lark Ascending, alongside Mendelssohn and Beethoven symphonies (Oct 27), and in concertos by Telemann, Marcello, and Bach, on a predominantly Baroque program (Dec 1 & 2). After a pair of festive Christmas…
Daniel Hope makes his mark on both sides of the Atlantic as well as on disc this season. In his new role as Artistic Advisor for Chamber Music at The Barns at Wolf Trap, VA, he gives two recitals celebrating “The Gilded Age,” the second of which falls during his North American recital tour devoted…
Daniel Hope will become New Century Chamber Orchestra’s longest serving Music Director after he and the organization recently agreed to a three-year contract extension. Hope began his tenure as Music Director and Concertmaster during New Century’s 2018/19 season and has crafted a uniquely-suited vision for the conductorless orchestra that brings together beloved classics, bold, new…
Daniel Hope is now in his first season as Intendant & Artistic Director of Switzerland’s Menuhin Festival & Academy Gstaad, having been unanimously elected to the role, in view of his 21 years of curatorial experience and deep musical associations with Gstaad and the late Yehudi Menuhin himself. In this new post, Hope will preside…
The present season marks Daniel Hope’s ninth with the Zurich Chamber Orchestra (ZCO), where he took over from Sir Roger Norrington as Music Director in 2016. After an extensive German tour this February, Hope and the conductor-less ensemble conclude their season together at the Zurich Tonhalle, where, alongside works by Elgar and Virgil Thomson, he…
